Thursday, 26 July 2018
Review Happy Diving Electric Soul Unity
Review Happy Diving Electric Soul Unity
Opener "Bigger World" both references the title of the bands 2014 debut on Father/Daughter Records [review] and assures fans that Happy Diving very much understands a formula that has worked so well for them. Commencing with a blast of mid-range guitar feedback that abruptly tosses the listener into the take, "Bigger World" descends into a finessed, palm-muted chug that emphasizes the heavy low end that made Big World such a favorite in the underpop underground. "Dont Be Afraid of Love" follows and makes plain that Happy Diving has no intention of softening its sound or increasing the clarity of production. As with its earlier material, the bands noisy sonic signature feels well-designed to transport listeners to some ideal house show environment, where shuddering amps and the thump of the kick drum reverberate from concrete walls and ratty rugs.
Its not until fifth track and highlight "Head Spell" that the band deviates from its tried and true. Here strummy and clean grunge chord progressions and dynamic blasts of distortion echo second-wave 90s alt.rockers Cracker and, well, Everclear with carefully considered, beautiful sadness. The relatively spare approach offers just enough space within the production to reveal more tenderness than the Bay Area bombers usual two-minute fuzz blasts typically allow. "Head Spell" proffers a big-tent take on the 90s-rock revival that embraces the cheesier songwriting of the more commercial end of the era. Why not?
The back half of Electric Soul Unity features still more surprises that make it the stronger side. "The Call, It Thunders" features some of Happy Divings best lead guitar hooks, while "Pain Country" takes another run at the quieter electric style of "Head Spell." "Unknown Feeling," a 104-second acoustic (!) solo number, is the albums biggest surprise, and stands in stark relief sonically while suggesting an affinity for aspects of Lou Barlows catalog. To close the proverbial circle, the riffage resurfaces with closer �River Will Flow� (whose opening suggests Dinosaur Jr. interpreting "Dont Fear the Reaper"). The final cut offers another welcome addition to the mix, some slight dual-singer harmony that modulates the albums otherwise monochromatic vocals.
Speaking of, a monochrome feel represents Electric Soul Unitys sole Achilles heel. Despite the efforts to vary the albums feel and flow, the persistently pounding Blue Album rock guitars can dominate to such an extent that some of the nifty songwriting on this Jack Shirley-produced set is obscured. Still, Happy Divings successful revision of classic 80s and 90s indie rock not only reframes great moments of the era, but also presents fans broader opportunities to connect with the band. When in doubt, just play the thing real loud: its rock and roll. Electric Soul Unity is slated for release Friday on black, white, or coke bottle clear vinyl, CD, cassette or digital download; pre-order the collection in any format right here from our friends at Topshelf Records (which also released Happy Divings terrific "So Bunted" 7" last year). Happy Diving is in the final leg of a lengthy U.S. tour, and the dates for the final two weeks are posted below. Get to the gig. -- Edward Charlton
Happy Diving: Bandcamp | Facebook
08.17 -- Bloomington, IN -- Jans Rooms
08.18 -- Eau Claire, WI -- Vivian House Concerts
08.20 -- Minneapolis, MN -- Dead Media Records
08.21 -- Sioux Falls, SD -- Total Drag Records
08.24 -- Calgary, AB -- Tubby Dog
08.26 -- Vancouver, BC -- Antisocial Skate Shop
08.28 -- Seattle, WA -- Neumos
08.29 -- Portland, OR -- The Know
08.30 -- San Francisco, CA -- Bottom Of The Hill
Related Coverage:
Todays Hotness: Happy Diving
Review: Happy Diving | Big World
Todays Hotness: Happy Diving
